Magali Arriola, art critic and independent curator, presents a public program at The Mistake Room in Los Angeles on November 16, 2017.
Magali Arriola is an art critic and independent curator currently living in Mexico City. She was curator at Fundación Jumex Arte Contemporáneo between 2011 and 2014, where she organized exhibitions of artists such as James Lee Byars (co-curated with Peter Eleey and co-produced with MoMA-PS1), Guy de Cointet and Danh Vo, and curated shows contextualizing works from the Jumex Collection. She was Chief Curator of Museo Tamayo between2009 and 2011 where she curated exhibitions and projects with artists such as Roman Ondák, JoachimKoester, Claire Fontaine, Adrià Julia and Julio Morales. She was visiting curator at the Wattis Institute for Contemporary Art in San Francisco in 2006 where she curated Prophets of Deceit. From 1998 to 2001 she was Chief Curator at the Museode Arte Carrillo Gil in Mexico City, where she worked with a generation of artists that include Eduardo Abaroa, Francis Alÿs, Miguel Calderon, Daniela Rossell and Pablo Vargas Lugo. Her independent projects include The Sweet Burnt Smell of History: The 8th Panama Biennial(2008); What once passed for a future, or The landscapes of the living dead (Art2102, Los Angeles, 2005); How to Learn to Love the Bomb and Stop Worrying about it (CANAIA, México City / Central de Arte at WTC, Guadalajara, Mexico, 2003-2004); Alibis (Mexican Cultural Institute, Paris /Witte de With, Rotterdam, 2002); Erógena (Museo de Arte Carrillo Gil, Mexico City / SMAK/ Stedelijk Museum voor Actuele Kunst, Ghent, 2000); Peter Greenaway, Painting and Artifice (Museo Tamayo, Mexico City, 1997). Arriola has extensively written for books, and catalogues and has contributed to publications such as Art Forum, Curare, Frieze, Mousse, Manifesta Journal, and The Exhibitionist, among others.
The Mistake Room (TMR) dwells in the terrain of ideas and practices fueled by radical imagination. A constantly morphing cultural platform, TMR is shaped through ambitious multi-year thematic projects that expand the possibilities of what an independent art space can be and do. Working alongside artists, thinkers, and other makers, TMR summons new publics for art and ideas into being in ways that reflect the complexity of our world and time.